You do need to have a really accurate script though (with any ums and aws from the original) and you need to try to read it at approximately the same pace as the original otherwise the synchronised sound may be slowed down at certain points, making it sound as though your speech is slurred. In my experiments I found that this can be surprisingly effective. Instead of recording video by miming to an audio track, you record the audio and it synchronises itself with the video. So if, for example, your video was recorded in a noisy environment, you can subsequently record a voice track from a script and then tell AudioDirector to sync it with the video clip. It lets you record a new audio track and automatically synchronize it with your existing video. The high-end suites also include an audio package which, in addition to all the sound editing and effects that you’d expect from such a program, has one standout new feature that can be enormously useful for videos. The software matches the newĪudio with the clip to synchronize it with my lip movements. Video clip with a re-recorded audio track. Here I am using AudioDirector to replace the poor quality audio on my I must admit that I never use the storyboard but I am told that many people do and they are no longer obliged to switch back to the timeline when adding fades or animations between to the joins between one clip and another. When you switch to storyboard view, the clips in a movie are shown as adjacent images rather than as tracks on the timeline. A For example, you can now add transitions in storyboard mode. Various small but useful improvements have been made throughout the software. Cyberlink showed me an impressive demo video in which several American football players are each tagged with their name and tracked as they move about. In fact, you can select and track multiple objects in a video. While this is useful, the trackable effects are limited to just two – a spotlight that highlights the trackable object inside an ellipse and darkens the rest of the video or a mosaic to ‘pixelate’ the trackable object if, for example, you want to obscure someone’s face. This lets you select an object or a person and add some text, an image, video or an effect which moves in synchronicity with the object’s movements in the scene. Motion tracking is another handy new feature. You can also remove the wide-angle distortion that is typical of cameras such as GoPro to remove the ‘fisheye’ effects of their lenses. Here you can remove camera shake, apply slow motion to videos recorded with high frame rates and add other effects such as freeze-frame or reverse. This groups together a set of tools aimed at dealing with fast action sequences such as sports or chases. If in doubt, refer to the comparative chart of PowerDirector editions here: Small body-mounted cameras are given their own editing environment in PowerDirector’s new ‘Action Camera Centre’. Bear in mind that most of these features are only found in the Ultra and Ultimate editions. Here I want to concentrate on a few of the more striking new features of PowerDirector 14. For an overview of the essential features ofg PowerDirector, refer to my review of the previous release, PowerDirector 13. Serious video producers may want to consider one of the higher-level editions such as ‘Ultra’ or ‘Ultimate’ which provide additional features such as automated audio-sync to attach an audio track to separately recorded video and support for high frame-rates (120/240 fps) for slow motion editing. While the entry-level ‘Deluxe’ product is ideal for editing your home videos, it could also handle commercial-grade videos such as company promotions, online eLearning courses or YouTube movies. PowerDirector is a very capable video editing package that provides many professional-grade features without the professional price-tag. There are various editions ranging from Deluxe at a modest $69.99 (£59.99), right up to the feature-packed PowertDirector Suite, which also includes dedicated colour grading, plus image and audio editing packages at a cost of $299.99 (£249.99). Whether you are a professional video-maker or just a hobbyist who wants to add some pizzazz to home videos, PowerDirector is well worth serious consideration. PowerDirector is a powerful, inexpensive video production suite for Windows which, in this new edition, provides a formidable set of recording and editing tools for creating videos from both camera and screen recordings. This new edition of the popular video editor includes slow motion editing and screen recording
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